← All of RUBATO From the archive · Soul · Friday, July 24

“Ba-dee-ya”: how Earth, Wind & Fire defended nonsense

The most famous chorus of 1978 means nothing at all. Which is exactly why it works.

Earth, Wind & Fire, apie 1977. Columbia Records / Wikimedia Commons, viešas domenas

In the summer of 1978, a young lyricist named Allee Willis walked into an Earth, Wind & Fire session and heard the band playing what would become “September”. In one spot, Maurice White kept singing “ba-dee-ya”. Willis assumed it was a placeholder — a sound holding the seat until a real word arrived.

She spent the whole project trying to replace it. On the final day of recording she gave up being polite and asked directly: what does “ba-dee-ya” actually mean? White answered with a question she would quote for decades — who cares about meaning, if the phrase keeps the groove moving.

Willis said that day taught her the most important lesson of her career: never let the lyric fight the groove. The song came out in November 1978 and became one of the band’s best-selling records. A chorus nobody can translate gets sung in every language the same way.

There is one detail only careful listeners notice: the lyric names the twenty-first night of September, and none of the writers ever explained why. White would only say the date sang well. Sometimes that is the whole reason.

Notes
  1. Groove is the felt rhythmic motion created by the ensemble: not merely a drum pattern, but the way all the parts sit together in time.