← All of RUBATO World · From the archive · Saturday, October 10

Andy Summers’s “Every Breath You Take” guitar part took one take

The guitar part arrived quickly. The experience behind it had accumulated through years of playing in a trio.

Andy Summers in Atlanta, 1979, not the song’s recording session. Acroterion / Wikimedia Commons. Cropped. CC BY-SA 4.0: https://creativecommons.org/licenses/by-sa/4.0/

A guitar can be distinctive without waiting for a solo. The arpeggios in “Every Breath You Take” turn chord notes into a repeating figure: notes played in sequence rather than a sustained block of harmony. The accompaniment has a shape of its own.

In his Vintage Guitar interview, Andy Summers remembered disagreement over the arrangement. After lunch, Sting told him, “Go in there, make it your own.” Summers recorded the part to applause from the control room. He linked that apparent ease to years of working in The Police.

Speaking to FretBuzz in 2024, he confirmed playing it in one uninterrupted take. He also described the practical negotiations behind the trio’s arrangements: a guitar accent every four bars with echo, perhaps, or a stronger rhythm, depending partly on Stewart Copeland’s drums. Choosing when to play was part of supporting the other musicians.

The linked recording appears on the compilation Message In A Box. Try following the guitar while Sting sings, rather than waiting for a lead-guitar break. Summers’s recollections point to a useful distinction: a performance can be captured quickly without the player’s preparation having been brief.

Source: Vintage Guitar / FretBuzz ↗

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